• Zombies Run

    Seeking music to move my feet

    While my husband was jaunting about Europe for his 40th birthday, I was tasked with walking our dog Duncan. To keep myself from going mad from boredom, I would take my iPhone along and turn on a wonderful app called Zombies, Run!.

    Here’s how it works: The zombie apocalypse has arrived. The undead are everywhere, and it’s your job to run/walk for a certain amount of time and obtain supplies for your tiny town of survivors. When zombies get near, you run/walk faster (thus providing interval training). All the while, the app’s characters are giving you orders, sharing stories and basically making you laugh. In between the story segments, the app connects to your workout playlist and plays your favorite tunes to keep your spirits high as you trudge through the monotony of exercise.

    The app’s tagline says it all: Get fit. Escape zombies. Become a hero.

    After using the app for more than 20 hours, I’m almost finished with the first season of adventures. I reached my step goal last week and will likely do so again this week. More importantly, I’m dreading these physical activities just a little bit less.

    The downside? I’m getting tired of my music. Here’s what I’ve been listening to:

    * $165 Million + Interest (Into) The Round Up by David Holmes
    * Abracadabra by the Steve Miller Band
    * Ain’t Nuthin’ But A She Thing by Salt-N-Pepa
    * All I Really Want by Alanis Morissette
    * Alphabet St. by Prince
    * Beat It by Michael Jackson
    * Bittersweet Symphony by The Verve
    * Bodyrock by Moby
    * Breakin’… There’s No Stopping Us (12″ Club Mix) by Ollie & Jerry
    * C’mon And Get My Love by Cathy Dennis
    * The Chemicals Between Us by Bush
    * The Classic Drum Battle by A&T
    * Diamond Dogs by Beck and David Bowie
    * Everybody by Black Box
    * (The Forgotten People) by Thievery Corporation
    * Freakshow On The Dance Floor by Bar-Kays
    * Freedom by George Michael
    * Get Off (Extended) by Prince
    * Gonna Make You Sweat (Everybody Dance Now) by C+C Music Factory
    * Hard to Handle by The Black Crowes
    * If by Janet Jackson
    * Jazz Machine by Black Machine
    * Jump N’ Move by The Brand New Heavies [featuring Jamalski]
    * Jungle by Jamie N Commons & X Ambassadors
    * Let the Music Play by Shannon
    * Let’s Dance by David Bowie
    * Let’s Go Crazy by Prince
    * Living Dead GirlRob Zombie
    * Love Runs Out by OneRepublic
    * Man In the Box by Alice In Chains
    * Mas by Kinky
    * Modern Love by David Bowie
    * Open Of My Love by Jennifer Lopez
    * Peter Gunn by Art Of Noise
    * The Power by Snap!
    * Pump Up the Jam by Technotronic
    * Pump Up The Volume by Marrs
    * Push It (Remix) by Salt-N-Pepa
    * Raspberry Beret by Prince
    * Salome by Chayanne
    * Samba Hey (Magalena Mix) by el general
    * Shake Your Bon-Bon by Ricky Martin
    * Shakin’ by Eddie Money
    * She Bangs by Ricky Martin
    * Sidewalk Talk by Jellybean
    * Situation (US 12″ Remix) by Yaz
    * Slang by Def Leppard
    * Smooth Criminal by Michael Jackson
    * Supermassive Black Hole by Muse
    * Sweet Dreams (Are Made Of This) by Eurythmics
    * Techno Rave Entrance by Blade
    * Thunder by Prince
    * Too Funky by George Michael
    * The Truth (feat. Roisin & J-Live) Techno Rave Entrance by Handsome Boy Modeling School
    * U Got the Look by Prince
    * UK Jamaican by Tricky
    * Unbelievable by EMF
    * Vogue by Madonna
    * Weapon Of Choice by Fatboy Slim
    * You Dropped a Bomb On Me (Single Version) by The Gap Band
    * You Spin Me Round (Like a Record) by Dead or Alive

    As you can see, I have eclectic tastes. While I do tend to prefer tunes from the ’80s and ’90s, I’m game to try just about anything with a good beat. If you have suggestions, feel free to leave ’em in the comments.

  • piano

    The music in me

    Music has always been an important factor in my life. When I was a child, elementary school students in Illinois had to take music lessons (art too) several times a week. These classes involved learning how to read music and singing in a chorus. In the fourth grade, I was taught to play a recorder. The following year, my music teacher encouraged me to pick up an instrument. I chose the flute.

    Yes, dear friends, I was a flutist.

    Once I reached junior high, I had learned the instrument well enough to play in the school band. That’s when the competitions began. For those who’ve never participated in school band, the seating placement is often determined by talent and skill. Some teachers will simply assign you a chair based on his/her assessment of your abilities, but others will actively encourage students to improve their skills by competing for a chair.

    The person who won the competition became 1st chair, and received the grand prize of playing all the solos. Sitting second chair meant your humiliation was on display for all to see; that’s right, you weren’t good enough to solo, but you do have to sit next to the winner and lament your lack of talent. In the flute section, second chair players received a consolation prize: the opportunity to play the piccolo (same fingerings as the flute, just a lot smaller).

    Being the competitive sort, I spent many an afternoon practicing for these contests. I was bound and determined to sit first chair, and for most of junior high, I did so. But when I reached high school, I met my match. Holly was not only a great flutist, she was also an experienced pianist. To her, playing music was as natural as breathing.

    Now I was friends with Holly — we obviously had similar interests — but in the band room, she was my musical nemesis, and every time the teacher held chair competitions, I would try so hard to beat her. Every time, I failed. Which meant, for most of my freshman and sophomore years, I sat second chair and played the wee piccolo while Holly enjoyed her spotlight seat and wowed audiences with her stunning solos.

    During my sophomore year, however, the band teacher decided to bulk up the orchestra. He asked the top student musicians in the band to either play their own instrument or tackle a new one. Knowing I would never beat out Holly for the flute spot, I volunteered to try something new. The band teacher assigned me to the timpani. At first I was taken aback. What the heck did I know about percussion? And why would I want to play an instrument that put me all the way in the back of the room? But then, I figured what did I have to lose? There was only one timpani player in the orchestra so I was automatically first chair!

    I’m glad I did. During the final concert, we performed the finale of the “William Tell Overture” (we even donned Lone Ranger masks, much to the audience’s delight), and since I was on the timpani, I got to lead the drum charge. It was a blast.

    That same year, my mother obtained a piano and began to take lessons. She’d always dreamed of teaching music lessons but that dream was deferred by an unexpected teen pregnancy, marriage and two serious roadblocks: She couldn’t read music nor play an instrument.

    Learning these two skills was quite difficult for her, and she often found herself sitting at the keys, utterly frustrated. This frustration only increased when one day, I decided to give the piano a try. I already knew how to read music, and learning the keys from her books wasn’t too arduous. After a few weeks of listening to me play, however, she threw in the towel and stopped practicing. Then she quit her lessons entirely, and signed me up for weekend piano classes. I loved ’em.

    After we moved to Florida at the end of my sophomore year, I was forced to make an important decision: play in the school marching band or study journalism. As you can imagine, journalism won out. Although I continued playing the piano at home, I eventually stopped studying music once I left for college. Without an instrument at hand, I couldn’t practice.

    Twenty years later, I once again have a piano in my home. My dear friend Mary decided to unclutter her Manhattan apartment, and offered me the use of her digital keyboard. Now that I’ve begun taking lessons via Youtube and Playground Sessions, it’s surprisingly wonderful to have music back in my life.

    I’ve missed it so much.

    (Photo by Cazgdesign. Used with permission.)

  • The beautiful music of birds

    Birds on the Wires from Jarbas Agnelli on Vimeo.

    Winner of the YouTube Play Guggenheim Biennial Festival.
    Soundtrack available here.

    Reading a newspaper, I saw a picture of birds on the electric wires. I cut out the photo and decided to make a song, using the exact location of the birds as notes (no Photoshop edit). I knew it wasn’t the most original idea in the universe. I was just curious to hear what melody the birds were creating.

    I sent the music to the photographer, Paulo Pinto, who I Googled on the internet. He told his editor, who told a reporter and the story ended up as an interview in the very same newspaper.

    Here I've posted a short video made with the photo, the music and the score (composed by the birds).

    Also check my live presentation of Birds on the Wires at TEDx São Paulo: http://www.tedxsaopaulo.com.br/jarbas-agnelli/

    Music made with Logic.
    Video made with After Effects.

    An interview about this and other works can be found here.

  • Om

    How do I deal with stress? The biggest stressor in my life is work, which oddly enough, is one of the greatest joys in my life.

    I’m not complaining. I get to do the job I love. I make a decent living. I work from home, on the shift that I prefer. However, by its very nature, journalism is a stressful career. You can’t surround yourself with death and destruction and crime and politics and twerking and not be affected. Well, I can’t anyway.

    While I’m pretty good at maintaining my distance from the events of the day, I’m also human. Covering history as it happens can leave a person feeling emotionally and intellectually battered.

    So how do I cope?

    * I talk to M. He pays attention to what’s going on in the world. He’s compassionate. And his hugs are positively therapeutic.

    * I drink tea. I firmly believe that freshly brewed tea, served in a favorite cup, will soothe both a tired body and an unsettled mind.

    * I bake. The act of kneading or whipping ingredients into something delicious provides a physical outlet for channeling one’s aggressions. Plus, when you’re done, there’s dessert!

    * I read. I can open a book or turn on my Kindle, and instantly lose myself in a romance, a mystery or a bit of poetry. As my eyes transform the words into stories, my mind is able to focus more on the characters’ problems than on my own. Books give me distance, distraction and, in some cases, enlightenment. (Once in a while though — and I’m looking at you Stephen King, Joe Hill and Chris Holm — the practice of reading to escape can lead to other emotions, particularly dread.)

    * I watch movies. When I lived in New York City, I would spend almost every Friday morning at the multiplex, watching double- or triple-features. I did so because I love film, but also as a way to decompress. The movie theater has long been my dark sanctuary.

    * I listen to music. Music is probably better for my soul than for my ears (I like it loud). Yet given the right tunes and enough time, most any stress can be defeated.

    * I sit by the ocean. Once grounded to the sand, I look at the water and admire the ocean’s tempestuous nature. The horizon is vast, the air is salty, the wind blows through my hair and, in time, I am calmed.

    * I wander in cemeteries. Most boneyards are beautiful in any season, perfect for wandering and wondering. They serve as memento mori as well; all problems pale in comparison to death. And, if your problem is death, a cemetery will offer a telling reminder that you are not alone in your pain.

    Old Bennington Cemetery

  • Sting v.4

    This is what I’ll be doing on June 20th:

     

     

    Now Bangor, Maine, is a five-hour drive each way from my home, but getting the opportunity to see one of my favorite artists in an outdoor venue is just too good to pass up.

    The first time I saw Sting perform was at Jones Beach on Long Island, a beautiful amphitheater right on the water. While most of the audience sat contently in their seats, I spent the entire concert dancing in the aisle.

    The second time I had the chance to see Sting was during the “Today” show’s summer concert series. As soon as I got off work on Friday morning, I raced over to Rockefeller Center and arrived just in time to hear him sing two songs before the show ended. Although incredibly brief, the performance put me in a fantastic mood all weekend.

    The third time I saw Sting in concert was on a hot summer night in Central Park. I managed to arrive early enough to find a decent spot near the stage, and when he sang “Moon Over Bourbon Street,” I was entranced by the both the song and the stunning full moon that rose up behind the stage. I was in the heart of Manhattan, but the combination of the music, the moon, the heat, the humidity, the crowd and the hours of dancing made me feel as though I had been magically transported to New Orleans. It was wonderful.

    So even though I generally dread the arrival of summer, I have at least two things to look forward to this year: attending the next Society of Professional Obituary Writers conference in Toronto and seeing the amazing Sting again.